{"id":9287,"date":"2026-03-30T09:44:30","date_gmt":"2026-03-30T09:44:30","guid":{"rendered":"https:\/\/bangbang.md\/?p=9287"},"modified":"2026-03-31T07:25:56","modified_gmt":"2026-03-31T07:25:56","slug":"recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul","status":"publish","type":"post","link":"https:\/\/bangbang.md\/ru\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/","title":{"rendered":"Recenzie: Cu ce g\u00e2nduri am ie\u0219it de la spectacolul \u201eDoisprezece oameni furio\u0219i\u201d de la Teatrul Luceaf\u0103rul"},"content":{"rendered":"

\u201eAm dreptul la propria opinie!\u201d,<\/strong> aceasta este argumentul juratului trei atunci c\u00e2nd este \u00eentrebat de colegii lui jura\u021bi de ce crede c\u0103 b\u0103iatul este vinovat. Cunoscut\u0103 replic\u0103, nu? <\/p>\n\n\n\n

\u00cen activitatea mea, aud replica asta foarte des. Oameni care arunc\u0103 opinii cu o u\u0219urin\u021b\u0103 de parc\u0103 ar fi de\u021bin\u0103torii adev\u0103rului absolut. Totu\u0219i, ceea ce le scap\u0103 multora este felul \u00een care au ajuns s\u0103 aib\u0103 aceast\u0103 \u201eproprie opinie.\u201d \u0218i, cel mai important, c\u00e2t din aceast\u0103 opinie este bazat\u0103 pe fapte \u0219i c\u00e2t sunt doar prejudec\u0103\u021bi?<\/p>\n\n\n\n

Timp de aproape trei ore, actorii Teatrului Republican Luceaf\u0103rul \u00eencearc\u0103 s\u0103 desfac\u0103, strat cu strat, iluzia \u201eopiniei proprii\u201d ca adev\u0103r absolut. Spectacolul \u201eDoisprezece oameni furio\u0219i\u201d \u00een regia lui Slava Sambri\u0219 este o oglind\u0103 \u00een care suntem for\u021ba\u021bi s\u0103 ne privim pentru a ne analiza propriile mecanisme de g\u00e2ndire.<\/p>\n\n\n\n

Spectacolul relateaz\u0103 dezbaterea a doisprezece jura\u021bi care, dup\u0103 ce au audiat mai mul\u021bi martori \u00eentr-un proces de judecat\u0103 de patricid, trebuie s\u0103 decid\u0103 daca un b\u0103iat de 18 ani este vinovat de \u00eenjunghierea tat\u0103lui. De decizia lor depinde dac\u0103 sentin\u021ba b\u0103iatului va fi moartea sau via\u021ba. <\/p>\n\n\n\n

\u00cen plan simbolic, patricidul poate fi interpretat ca o ruptur\u0103 de tradi\u021bie, autoritate, de patriarhat. Moartea tat\u0103lui este un act \u00eenc\u0103rcat de sensuri: rebeliune, frustrare cumulat\u0103 \u0219i chiar o form\u0103 extrem\u0103 de eliberarea dintr-un sistem patriarhal opresiv. <\/p>\n\n\n\n

Dezbaterea jura\u021bilor, de\u0219i trebuie s\u0103 se bazeze pe fapte, devine o dezbaterea social\u0103 din perspectiv\u0103 moral\u0103. Iar cei 12 jura\u021bi reprezint\u0103 o mini societate, prin care Tat\u0103l, ca simbol al patriarhatului, continu\u0103 s\u0103 tr\u0103iasc\u0103. Astfel, sistemul nu dispare odat\u0103 cu individul, sistemul este reprodus de oameni, prin prejudec\u0103\u021bi, prin limbaj, prin felul \u00een care judec\u0103m.<\/p>\n\n\n\n

Pe parcursul spectacolului, majoritatea jura\u021bilor nu vorbesc despre ce s-a \u00eent\u00e2mplat, <\/em>dar proiecteaz\u0103 prejudec\u0103\u021bile lor asupra acestui act. Pentru unii, b\u0103iatul este o \u201escursur\u0103 a societ\u0103\u021bii\u201d, pentru al\u021bii \u201eun monstru\u201d care a \u00eenc\u0103lcat cea mai sacr\u0103 regul\u0103. Doar juratul num\u0103rul opt, jucat de Ion Liulica<\/em>, se \u00eentreab\u0103: ce rela\u021bie a existat \u00eentre tat\u0103 \u0219i fiu?<\/strong><\/p>\n\n\n\n

De\u0219i pare c\u0103 toate faptele expuse \u00een timpul procesului sunt clare \u0219i demonstreaz\u0103 vinov\u0103\u021bia b\u0103iatului, juratul num\u0103rul opt voteaz\u0103 nevionvat. Acest lucru \u00eei nemul\u021bume\u0219te pe cei unsprezece care sus\u021bin c\u0103 \u201etotul este clar. B\u0103iatul este vinovat!\u201d \u00centrebat de ce a votat diferit de to\u021bi ceilal\u021bi, el sus\u021bine ca nu de\u021bine adevarul absolut \u0219i c\u0103 ar fi bine s\u0103 nu se gr\u0103beasc\u0103 cu pronun\u021barea sentin\u021bei. Judecat\u0103 uman\u0103 poate fi gre\u0219it\u0103 chiar dac\u0103 totul pare clar la prima vedere, mai adaug\u0103 el. <\/p>\n\n\n\n

\u201eAr trebuie s\u0103 ne mai uit\u0103m \u00eenc\u0103 odat\u0103 la dovezi\u201d, sugereaz\u0103 juratul num\u0103rul opt. \u201eEu nu \u0219tiu dac\u0103 este vinovat sau nu\u201d, afirm\u0103 el, \u0219i prin asta \u00eei invit\u0103 pe cei unsprezece s\u0103 \u00eenceap\u0103 dezbaterea despre cazul b\u0103iatului dintr-un loc de incertitudine \u0219i \u00eendoial\u0103 nu din propriile judec\u0103\u021bi. Doar astfel putem ajunge la o p\u0103rere adev\u0103rat\u0103 nu una care ne confirm\u0103 credin\u021bele.<\/p>\n\n\n\n

Aceast\u0103 atitudine este un act de curaj, pentru c\u0103 trebuie s\u0103 ai t\u0103rie de caracter ca s\u0103 \u00eenfrun\u021bi mul\u021bimea \u0219i s\u0103 ai o p\u0103rere diferita, dar anume acest fapt face diferen\u021ba \u00een final. Iar curajul lui nu const\u0103 \u00een a avea dreptate, ci \u00een a accepta incertitudinea.<\/p>\n\n\n\n

Cei doisprezece jura\u021bi sunt o miniatur\u0103 a societ\u0103\u021bii, fiecare cu propriile convingeri, prejudec\u0103\u021bi \u0219i experien\u021be. Ceea \u00eengreuneaz\u0103 mecanismul de formulare a verdictului este c\u0103 trebuie s\u0103 ajung\u0103 la o p\u0103rere unanim. Astfel, p\u0103rerea diferit\u0103 a unui singur jurat, devine declan\u0219atorul unei dezbateri necesare, dar care sup\u0103r\u0103 mult pe cei din majoritate.<\/p>\n\n\n\n

Transpus \u00een realitate, acest act de a nu te l\u0103sa influen\u021bat de mul\u021bime, este punctul \u00een care se \u00eencep discu\u021biile despre subiectele pe care mul\u021bi le consider\u0103 tabu. \u00cen aceste momente fiecare dintre noi este pus s\u0103-\u0219i confrunte propria g\u00e2ndire. Iar acest lucru nu este u\u0219or, pentru c\u0103 prejudec\u0103\u021bile noastre sunt deseori mai puternice dec\u00e2t noi.<\/p>\n\n\n\n

\u00cen spectacol, ca \u0219i \u00een via\u021ba real\u0103, nu este vorba a-\u021bi exprima un vot, sau o opinie personal\u0103, este o alegere simbolic\u0103 de a deveni c\u0103l\u0103ul sau salvatorul cuiva. Cei doisprezece trebuie s\u0103 decid\u0103 dac\u0103 b\u0103iatul tr\u0103ie\u0219te sau este trimis la moarte. Piesa ne arat\u0103 c\u0103 ceea ce la prima vedere pare o decizie \u201era\u021bional\u0103\u201d se dovede\u0219te a fi, de fapt, o acumulare de prejudec\u0103\u021bi, stereotipuri \u0219i presupuneri. \u201eAm auzit\u201d, \u201eam v\u0103zut\u201d, \u201ese \u0219tie c\u0103\u2026\u201d nu sunt argumente pentru un verdict despre via\u021ba unui om.<\/p>\n\n\n\n

Regizorul \u0219i actorii ne oblig\u0103 s\u0103 ne \u00eentreb\u0103m: c\u00e2t de siguri trebuie s\u0103 fim \u00eenainte s\u0103 condamn\u0103m pe cineva? \u0218i, mai ales, ce facem atunci c\u00e2nd nu suntem siguri? R\u0103spunsurile nu sunt simple.<\/p>\n\n\n\n

\u201eDoisprezece oameni furio\u0219i\u201d arat\u0103 c\u00e2t de u\u0219or poate fi deturnat\u0103 ideea de justi\u021bie atunci c\u00e2nd graba, orgoliul sau biasurile personale \u00eenlocuiesc analiza real\u0103. Pe parcursul spectacolului m\u0103 tot g\u00e2ndeam, dac\u0103 ar fi s\u0103 scoatem din ecua\u021bie \u201eb\u0103iatul de 18 ani\u201d \u0219i \u00eel \u00eenlocuim cu grupurile vulnerabile din via\u021ba real\u0103, persoanele LGBTQ+, romi, refugia\u021bi, mecansmul de condamanare r\u0103m\u00e2ne acela\u0219i.<\/p>\n\n\n\n

O parte a societ\u0103\u021bii judec\u0103 pe baza a ceea ce \u201e a auzit\u201d f\u0103r\u0103 s\u0103 verifice. Etichetele vor ie\u0219i la suprafa\u021b\u0103, realitatea va fi simplificat\u0103 \u0219i dintr-o data experien\u021ba uman\u0103 va fi redus\u0103 la \u201eanormali\u201d, \u201edevian\u021bi\u201d, \u201escursuri ale societ\u0103\u021bii.\u201d Iar dac\u0103 cineva va \u00eendr\u0103zni s\u0103 \u00eentrebe \u201ede ce?\u201d, mul\u021bi vor deveni furio\u0219i, defensivi \u0219i chiar agresivi. Pentru c\u0103 a-\u021bi pune sub semnul \u00eendoieli propriile convingeri nu este niciodat\u0103 confortabil. Iar spectacolul \u201eDoisprezece oameni furio\u0219i\u201d reu\u0219e\u0219te s\u0103 arat\u0103 aceast\u0103 stare de disconfort. Starea \u00een care furia nu vine din dorin\u021ba de a avea dreptate, dar din frica de a nu avea dreptate. Poate de aceea una dintre cele mai puternici replici ale spectacolului cu car am r\u0103mas \u00een g\u00e2nd este \u00eentrebarea juratului num\u0103rului opt; \u201evrei tu s\u0103 devii c\u0103l\u0103ul?\u201d<\/p>\n\n\n\n

\u00centrebarea dep\u0103\u0219e\u0219te contextul juridic \u0219i este plasat\u0103 \u00een zona responsabilit\u0103\u021bii. Este despre cum alegem s\u0103 judec\u0103m pe cei din jurul nostru \u0219i despre c\u00e2t de u\u0219or putem deveni, f\u0103r\u0103 s\u0103 ne d\u0103m seama, parte a unui sistem care condamn\u0103 f\u0103r\u0103 a \u00een\u021belege. Dimensiunea simbolic\u0103 a spectacolului este despre u\u0219urin\u021ba cu care d\u0103m verdicte zilnic \u00een via\u021ba real\u0103 \u0219i despre curajul de a le pune sub semnul \u00eentreb\u0103rii.<\/p>\n\n\n\n

Merge\u021bi s\u0103-l vede\u021bi! Pentru detalii urm\u0103ri\u021bi paginile re\u021belelor sociale ale Teatrului Republican Luceaf\u0103rul.<\/a><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

\u201eAm dreptul la propria opinie!\u201d, aceasta este argumentul juratului trei atunci c\u00e2nd este \u00eentrebat de colegii lui jura\u021bi de ce…<\/p>","protected":false},"author":3,"featured_media":9292,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[183,178],"tags":[],"class_list":["post-9287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-moldova","category-queer-proud"],"yoast_head":"\nRecenzie: Cu ce g\u00e2nduri am ie\u0219it de la spectacolul \u201eDoisprezece oameni furio\u0219i\u201d de la Teatrul Luceaf\u0103rul - BANG-BANG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bangbang.md\/ru\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recenzie: Cu ce g\u00e2nduri am ie\u0219it de la spectacolul \u201eDoisprezece oameni furio\u0219i\u201d de la Teatrul Luceaf\u0103rul\" \/>\n<meta property=\"og:description\" content=\"\u201eAm dreptul la propria opinie!\u201d, aceasta este argumentul juratului trei atunci c\u00e2nd este \u00eentrebat de colegii lui jura\u021bi de ce...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bangbang.md\/ru\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\" \/>\n<meta property=\"og:site_name\" content=\"BANG-BANG\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bangbangmoldova\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-30T09:44:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-31T07:25:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bangbang.md\/wp-content\/uploads\/2026\/03\/EL-49.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Micleusanu Vasile\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u041d\u0430\u043f\u0438\u0441\u0430\u043d\u043e \u0430\u0432\u0442\u043e\u0440\u043e\u043c\" \/>\n\t<meta name=\"twitter:data1\" content=\"Micleusanu Vasile\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u041f\u0440\u0438\u043c\u0435\u0440\u043d\u043e\u0435 \u0432\u0440\u0435\u043c\u044f \u0434\u043b\u044f \u0447\u0442\u0435\u043d\u0438\u044f\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 \u043c\u0438\u043d\u0443\u0442\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/bangbang.md\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/bangbang.md\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\"},\"author\":{\"name\":\"Micleusanu Vasile\",\"@id\":\"https:\/\/bangbang.md\/#\/schema\/person\/5378c72f5ed47ee2964c4075df5f713d\"},\"headline\":\"Recenzie: Cu ce g\u00e2nduri am ie\u0219it de la spectacolul \u201eDoisprezece oameni furio\u0219i\u201d de la Teatrul Luceaf\u0103rul\",\"datePublished\":\"2026-03-30T09:44:30+00:00\",\"dateModified\":\"2026-03-31T07:25:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/bangbang.md\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\"},\"wordCount\":1183,\"publisher\":{\"@id\":\"https:\/\/bangbang.md\/#organization\"},\"articleSection\":[\"Moldova\",\"Queer & Proud\"],\"inLanguage\":\"ru-RU\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bangbang.md\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\",\"url\":\"https:\/\/bangbang.md\/2026\/03\/30\/recenzie-cu-ce-ganduri-am-iesit-de-la-spectacolul-doisprezece-oameni-furiosi-de-la-teatrul-luceafarul\/\",\"name\":\"Recenzie: Cu ce g\u00e2nduri am ie\u0219it de la spectacolul \u201eDoisprezece oameni furio\u0219i\u201d de la Teatrul Luceaf\u0103rul - 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